Film
Greatest Feminist Icons in Horror #1: Jess Bradford
Jess isn't a feminist because she wins, but because she doesn't give up on her sisters or herself.
Jess isn't a feminist because she wins, but because she doesn't give up on her sisters or herself.
Election Day is just around the corner, and depending on your view of the current state of The Republic, you...
Festival du Nouveau Cinema 2020 Set in a not-too-distant future where climate change and pollution have left the seas largely...
Festival du Nouveau Cinema 2020 Class tensions surface with mixed results in Liang Ming’s directorial debut Wisdom Tooth. Straddling the line...
Emotional vulnerability is feminist as f*ck.
A grisly exercise in the meaning we apply to suffering, Martyrs is a brutal, unflinching take on torture, pushing it...
Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time...
It is the story of Mugur Calinescu, a Romanian teenager who wrote graffiti messages of protest against the regime of...
Laurie's fight with Michael isn't about revenge. It's an attempt to find some semblance of peace in her life.
Rosemary's story resonates with audiences today is because people are increasingly finding themselves in situations like hers.